The Far East

It is hard to put my experience in China in words…

My sense of time, first of all, was completely off the rails. The days blurred together and a year felt like a lifetime. Although I, as per the culture there, was completely consumed by work, I did find the time to explore the city of Shenyang and a bit of the surrounding area.

The weekends became opportunities to detach myself from the current and swim upstream. Well, I always felt like I was swimming upstream, but I would have a destination in mind on the weekends. A lake maybe, or a spring. Twice I made it all the way to the sea.

But this isn’t just a travel blog, I was in the midst of one of the most musically rich cultures in the world. Where were the musicians at?

The flute in the courtyard

In the center of the neighborhood apartment city, of which I was a resident, there was a small courtyard adjacent to a pond. From this courtyard, occasionally, I would hear the sounds of a flute wafting up through my 25th floor window. One day I decided to investigate and came across the musician playing next the pond. He was an elder man sitting on a stool playing out over the water.

The instrument he was playing was a Dizi, a traditional Chinese flute played horizontally similar to a western flute. However, the Dizi has a unique feature. An ultra thin reed membrane covers a hole between the mouthpiece and the finger-holes, which produces a bright, nasaly tone. The buzzing produced from the membrane creates a new pitch, and the added harmonics from that pitch make the overall sound produced much sharper.

The man in the courtyard was practicing what seemed a familiar tune. Not playing in any particular time signature, his phrasing was long and flowing. Like a run on sentence full of brilliant adjectives. Because of the language barrier, I was unable to talk with him about his music. And yet his music resonated within me. I also longed for Spring.

The Storefront on Nanjing st.

I heard from a friend that there was a music street in town. An entire block of instrument storefronts. One day, I navigated the subways and streets in order to find it, Nanjing street. It was about 2 blocks of instrument shops on either side, selling a variety of different instruments, some traditional and some western. I was there to buy a guitar, but one of the first stores off to my left caught my eye. It was full of these long, wooden, decorated instruments called guzhengs. Each guzheng had 21 strings, some were hanging up vertically covering the walls, and the others were on stands horizontally taking up the floor space. They were huge!

My mini guzheng

The guzheng is a Chinese plucked zither, ie an instrument with many strings along a long flat body. It is traditionally tuned to D pentatonic, skipping the 4th and 7th interval. This means that it sounds good no matter what you play. You use your right hand to pluck the strings, and your left rests on the left side of the bridge, bending the strings to add vibrato or to change the tone. You can bend them a full whole step by pressing down hard. This allows the player to play any scale when they are skilled at manipulating the strings.

I browsed the shop for a while and then asked if I could try and play one. The woman I spoke with brought me over to one of the instruments in the middle of the room and demonstrated it for me. I was blown away the moment she started playing. Every moment of the song resembled a section of a river. A flowing stream. Frantic rapids. And, most recognizable, the cascading waterfall. And the depth! The low notes combined with the natural reverberation filled the entire room with beautiful sound.

The Trip home

My experience in China ended in a peculiar way. In June 2020, when I was due to return home, Covid was a very serious concern worldwide. I had made it to Shanghai, but my flight back to the States had been overbooked, and half of us were bumped off the flight. We were given a verbal guarantee that we would be on the next plane out, 2 weeks later.

While stranded in Shanghai, I took it all in one last time. The evenings dancing in the parks, the busy afternoon street markets. I wandered through the streets, eating steam buns and egg tarts. Walking the bund, watching the dancers in the park, listening for birds.

New Orleans

When in New Orleans, you turn the corner to witness music explode before your eyes. Bands seem to form out of thin air. Brass, pianos on wagons, accordions, guitars, fiddles, DRUMS. You name it, New Orleans will deliver. But not when you ask it too. The music feels like an offering to the city. A city like no other. It’s alive, and anyone down in that bowl will tell you. New Orleans steals your heart.

Progressive jazz. Bop is around, but most of the clubs I went to were technical, loud local funk bands. The talent is mean, explosive. I saw a 20 something year old alto saxophonist circular breathing like he was chasing the sun.

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While most of the clubs had similar funk assortments, the street music was much more independent, and diverse. An amazing vocalist playing keyboard, capturing the attention of 2 whole blocks. Nobody said a fucking word. I was laughing to myself in surprise and excitement. Thats how you can tell I’m really digging something. Like the guitar wizard Andy Tate, melting faces every Sunday in Memphis. But I’m getting ahead of myself…

Gypsy/Dixieland jazz took me by surprise in New Orleans. A ragtag group of musicians, they set in the middle of the street, playing quick bluesy toons for anyone who will listen. Steel guitars, stand up bass, washboards, clarinets and fiddles. I could see myself doing similar music. A group of people coming together to tell a story, and have a good time doing it.

img_0399.jpgAnd of course, the brass!!!! Assortments of brass and drums (oh the tubas I’ve seen!) that come together to form the second line. It’s the most powerful music in New Orleans, in my opinion. They play standing or marching, all the sound going in one direction. Standing in front of them is like getting hit by a train. But it feels so good! I have seen around 20 different second lines since I moved to the city.

So there we have the funk, gypsy, street and second lines. That is only scratching the surface of New Orleans. It’s a city that is hard to describe, I hope you get the chance to discover it for yourself!

Powwow

My first Powwow experience!

This music really hypes you up; the adrenaline is practically visual. Drum circles sing and drum with so much intensity that I found myself blanking out, just consumed by all the sound.

So, what is a Powwow?

The Powwow is a social gathering of American Indian communities, where a bunch of tribes come together to share food, dance, and sing together. Generally there are dancing competitions and drum competitions between the tribes.

In Bozeman, Montana, they hold a Powwow once a year, where tribes from all over the nation come together. While not all Powwows are open to the public, this one was, and I was fortunate enough to witness the drums in all their intensity, and the dancing in all its grace.

How is the music created?

A ‘drum’ is made up of at least 4 drummers surrounding 1 drum. Everyone in the circle sings. I had a opportunity to speak with Colton Sierra, a member of the Oglala Lakota, Pine Ridge Indian Reservation drum, who helped me to understand the structure of the songs.

A song is split into four parts. “Each part starts with a lead, where one drummer calls out a melody that the rest of the crew repeats back”. This is followed by 2 verses, which are sometimes straight melodies and other times lyrics called out in that tribe’s native language (such as Cree or Lakota). “After verse one and verse two, you go back into the next lead, which is repeated two more times,” Colton said.

It was clear to me that the dancers fed off the energy of the drum. When a response was particularly loud and unanimous, the dancers would pick up the intensity and let their bodies be carried by the music.

At this Powwow, there were about 10 different drum circles, including one host drum. The above recording is of the host drum. The below recording is the drum of Colton Sierra.

Thank you for checking out my first post! I hope to keep this blog going as I travel, capturing the diversity of music that can be found all over the world!

“Art washes the dust away from everyday life” -Pablo Picasso